
Description:
Latest Xanga weblog from m759
Contents:
Log24 Has Moved
New posts and archives for Log24 are now at m759.net/wordpress/.
ART WARS for St. Luke's Day:
Noncontinuous Groups:
A page with this title has been added to my finite-geometry site.
(For the first version of that site, see a web page cached on August 15, 2000; compare with Ivars Peterson's August 28, 2000, column "Scrambled Grids." These pieces are clearly intended for two different audiences, but there is a certain similarity in the subject matter.)
ART WARS:
Singer 7-Cycles

 Click on images for details. The 1985 Cullinane version gives some algebraic background for the 1987 Curtis version.
Man and His Symbols:
Wakes
This morning's New York Times reports the deaths of Nuremberg interrogator Richard W. Sonnenfeldt and of avant-garde novelist and Beckett scholar Raymond Federman.
Symbols from this journal on the dates of their deaths:

A quotation that appeared here on Wednesday, Oct. 7, seems relevant to Federman: But I am a worker, a tombstone mason, anxious to pleace averyburies and jully glad when Christmas comes his once ayear. You are a poorjoist, unctuous to polise nopebobbies.... -- James Joyce, Finnegans Wake
Annals of Aesthetics:
ART WARS:
ART WARS review:
ART WARS
Identity: "...strict grids of nine pictures establish an egalitarian framework...." -- Christopher KnightSome are moreegalitarianthan others.
Aesthetics continued,,,
Knight Moves
Deborah Solomon, New York Times Magazine, Sunday, June 27, 1999:
"While modern art began as an assault on the academy, post-modern art might be described as a return to the academy. Instead of the old academy of rules, now we have the Academy of Cool, schools that treat avant-garde rebellion as a learned occupation."
Christopher Knight, LA Times art critic, on Solomon:
"Back in the day, Solomon interviewed Knight for a Times Magazine story on Los Angeles art schools. 'Having been a journalist (at that time) for almost two decades, I also did my homework,' Knight writes [in a letter to the New York Press]. 'I prepared a couple of quotable quotes on the subject, which might encapsulate larger ideas.' One of Knight's pearls of wisdom, 'Modern art began as an assault on the academy, but post-modern art might be described as a return to the academy,' excited Solomon so much that, according to Knight, she printed it as her own observation in her final piece, which bore no mention of the Knight interview. In the final story, a seriously bitter Knight writes, 'It was not a quote; my words had become her words.'" -- Gawker, Oct. 11, 2007 A reference to Solomon's piece appeared in this journal in 2003.
See also yesterday's entry, today's 9 AM entry, and (for the Academy) an example of knight's move thinking.
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